Method · Visitor Journey

The visitor journey: how do the right visitors end up at your stand?

TL;DR

The visitor journey is the path a trade fair visitor takes: the phases they go through and the contact points they meet before, during and after the show. It is worked out for each target visitor separately, and it starts long before the fair. Because with every visitor you compete against every other exhibitor, unless you are one of the very big names, and only a reason gets you onto the list. The goal is to be on the visitor's plan before the show, ideally with an appointment already agreed. In practice the journey breaks in two places: at the invitation, where a differentiated approach turns into one text for everyone, and after the show, where the contacts move to sales and the rest of the path becomes invisible. Both gaps can be closed once you name them.

What a visitor journey is

The term comes from the customer journey, and the idea behind it is the same: a person moves through phases, and in every phase they meet contact points. Applied to a trade fair: which contact points does a visitor meet before the show, which ones on the grounds and at the stand, and which ones afterwards?

A contact point is any place where somebody comes into contact with you. The invitation. The entry in the exhibitor directory. The banner in the entrance hall. The first approach at the stand. The exhibit. The coffee. The email that arrives ten days later. Not every contact point is an exhibit, but every exhibit is a contact point.

The difference to a plan of activities is the reason the effort pays off. A plan of activities can be worked through completely without anybody ever arriving. A journey guides a person. For every single target visitor it asks: where do they first hear about us? How do they become aware of our participation? What reason do we give them to come? And what happens once they are back home?

Nothing new is invented here

The journey is translation work. Everything that appears in it was decided beforehand. Anyone who starts being creative at this point has either skipped something earlier or is in the process of overwriting their own positioning.

What should be settled before:

  • The objective of this participation, and one against which decisions can be tested.
  • The role you are competing from.
  • The offering you show at this fair, and what you leave out.
  • The ideal customers and the decision-maker positions within them, meaning the target company and the person who actually stands at the stand.
  • The argumentation per position, from feature through advantage to benefit, with evidence behind it.
  • The contact points on the stand and their function.

With that in place, the journey is where everything comes together. And it is the only place where you find out whether the parts fit each other.

Getting onto the list

One point gets skipped routinely in the planning, and it decides the rest.

Only a small share of your target visitors has you on their radar anyway: existing customers, long-standing partners, the sector where your name is known. For everybody else this holds: you are not competing with the stand next door, you are competing with the list in the head of a person who has two days and will manage perhaps ten stands. Presence alone does not get you onto that list.

And then there is the group you cannot reach directly at all. You do not know these people, and they do not know you. They need the clearest reason of all, because there is no relationship to make up for a weak one.

The first break: one invitation for everyone

The break is the same in many projects.

Something good comes out of the concept phase. The objective is set, the target companies are named, two or three decision-making positions per company, a separate need for each position, an argument chain with evidence for each need. Everybody in the room sees that the head of purchasing needs to hear something different from the head of production, and that the managing director needs something different again. Everybody agrees, and it gets written down.

Four weeks later an invitation goes out. One. To everyone.

The mailing list is a mailing list. The email tool knows nothing about roles. Getting four texts approved takes longer than one. And somewhere in the calendar there is a print deadline. So the differentiated approach turns into a text nobody objects to: we look forward to welcoming you to our stand in hall 6.

And because that sentence is thin on its own, one more follows to save it: we also serve the best coffee at the show.

It is charming, and it gives away more than it should. A barista conjured up six weeks before the fair because the invitation has nothing else to offer is not a contact point. He is a substitute for an argument nobody formulated. And he has a habit of spreading: first into the invitation, then onto the stand, then into the follow-up report, and at some point the barista is the concept. Coffee is excellent at extending a conversation that started for another reason. As a reason to come, it does not hold.

What the one-size invitation costs can be named precisely. The head of purchasing gets the engineer's argument. The engineer gets the buyer's cost calculation. Both read something written for somebody else, and both decide not to come in exactly the second they notice.

We can personalise. Just not here.

In the rest of marketing, personalisation is everyday practice. Newsletters by behaviour, ads by interest, landing pages by country, product recommendations by the last click. We personalise so much by now that it sometimes makes people uncomfortable.

At the trade fair invitation of all places, it stays at one text for everyone. And the invitation is the most powerful instrument in the whole appearance: it is the only lever with which you make appointments before the show and get the right people onto the floor. Addressing three, four or five visitor types differently has not been a technical effort for years. It is a decision.

In practice an invitation consists of a frame and of two or three sentences that give the reason. The frame stays the same. The two or three sentences are written per visitor type, and that takes less than twenty minutes per type once the argumentation exists.

If four versions will not get through approval, take two: one for the technical side, one for the commercial side. Two are better than none. And one more split almost always pays off: existing customers and strangers need different invitations. The existing customer needs an appointment. The stranger needs a reason.

The reason to come

The weakest sentence in a trade fair invitation is: visit us in hall 6, stand C41.

The hall number has to be in the invitation, otherwise nobody finds you. A reason it is not. A reason is something this person gets nowhere else at this fair, and it comes out of what actually happens at your stand:

  • A demonstration under conditions they know from their own operation.
  • A calculation they can follow with their own numbers.
  • A conversation with somebody they otherwise cannot get to.
  • A comparison of two methods that nobody else will show them.

And then there is the reason that works better than any other: a problem named so precisely that the reader thinks, somebody here understands me.

People want to be seen, in B2B as well, and in an invitation as well. The difference between "we are presenting our new portfolio" and "if you have had to shut down your lines twice a year to replace X, we should talk for twenty minutes" is not a question of style. The second sentence says: I know your problem, and I have an answer to it. That is the whole method in one move.

The test is uncomfortable and useful: would this person make a detour for it? If the honest answer is no, what you have is a location with a pleasantry in front of it.

Owned, shared, paid: the channels before the show

Most exhibitors use a fraction of what is available to them, and a considerable part of it they have already paid for. Sorting the channels into owned, shared and paid helps, because the sorting already tells you how specific you can get on each one.

Owned: your own channels

Here you can personalise, and here you should. The personal invitation from the field sales team. The phone call. The existing-customer campaign. Newsletter, customer magazine, customer portal. The email signature of the entire team. Your own trade fair landing page with appointment booking. The company page on LinkedIn and the personal profiles of your staff, which together almost always have more reach than the company itself. Bylined articles. The insert in a delivery or an invoice. The calendar invitation for every appointment agreed.

The order is deliberate. At the top sits the strongest channel, and it is also the most expensive in working time: a call from a person who knows the recipient.

Shared: the organiser's channels and third parties

This is where most of the unused potential sits, because these services are part of the participation package and nobody inside the company feels responsible for them: exhibitor directory online and in print, product and innovation database, the fair app, matchmaking platform with appointment booking, ticket vouchers and invitation codes, the organiser's newsletter and social media channels, press portal and newsroom, innovation showcases and awards, speaking slots in the supporting programme, guided tours, hosted-buyer and delegation programmes, the preview coverage in the fair's own media.

Plus the third parties: trade media and show previews, association newsletters, chambers of commerce abroad, the organiser of a joint pavilion, partners and co-exhibitors, suppliers and customers as multipliers.

The price of these channels is the lack of control. You address an audience there, and you do it alongside many others. Getting through means delivering more than a self-description. An entry in the exhibitor directory consisting of a company name and three keywords is a wasted position. Visitors search there for solutions, and they do it before they travel.

Paid: the channel almost nobody uses

That you can run ads to bring visitors to a fair and to your stand gets overlooked regularly. It works, and it works precisely when the audience definition is in place.

One temptation is worth resisting: bidding on searches like "free ticket trade fair XY". Those ads perform beautifully, because plenty of people search for exactly that. They bring you visitors who wanted a free ticket, and afterwards a contact list you work through for weeks without finding anything.

Paid also covers the advertising space on the grounds, which deserves its own section.

The rule that holds it together

The more specific the channel, the more concrete the approach. On your own list you know the recipient and can meet them at their problem. On the banner in the entrance hall you do not know them, and a broader message has to carry.

This rule often gets applied the wrong way round. Because the broad channels need an overarching message anyway, that message then migrates into the personal invitation as well. At which point the one channel where you could have been concrete has been pulled down to the level of the broadest one. The overarching message belongs on the banner. It has no business in a personal invitation.

The half of the buying centre that was never at the show

In most B2B decisions several people sit at the table. At a trade fair the full circle is rarely present, and the person with the signature comes least often of all. Whoever stands at your stand is usually the one who has to convince the others internally.

Two tasks follow from that, and they get solved separately.

First: your contact needs something they can pass on. Something that carries their argument inside their own company. A calculation with their numbers. A picture of the exhibit with one line that still makes sense three days later. A reference case from their industry. An answer to the question their managing director will ask. A brochure rarely does this. That pass-on piece is a contact point in its own right, and it is one of the few that genuinely move anything between the conversation at the stand and a decision.

Second: who from your target environment was not there and should still hear about it? That group is almost always larger than the group of visitors, and it is fully known as soon as a target profile and a maintained CRM exist. A short follow-up report showing the two things that were on display is worth more to this group than to anybody who was actually there.

With that, your target environment sorts into four groups: known and present, known and absent, unknown and present, unknown and absent. The fourth group you will not reach through this fair. That is information rather than defeat, because it shows what this participation is not meant to achieve.

Before the show
01 They hear about you Newsletter, field sales, LinkedIn, trade media, exhibitor directory, ads.
02 They get a reason An invitation per visitor type, with a problem they recognise. Break 1: one text for everyone
03 They put you on the list Appointment agreed, matchmaking, calendar entry, route planned.
At the show
04 They find you Wayfinding, banners, showcase area, talk, fair app, stand architecture.
05 They talk to you First approach, exhibit and evidence, demo, meeting area, catering.
06 The conversation gets an outcome Appointment agreed · interested without a date · not ready yet · not relevant.
After the show
07 They take something with them The pass-on piece for the people in the buying centre who were not there.
08 Something happens Per outcome a next step, a deadline and a name, in the system sales already uses. Break 2: the list with no follow-on
09 The absentees hear from you A follow-up report to the known target environment that was not at the show.
Nine stations, three phases. The two dark fields mark the places where the journey regularly breaks in practice.

On the grounds: space that works as a filter

A fairground is full of contact points that have nothing to do with your own floor space: wayfinding and advertising space, entrance halls, hall advertising, floor graphics, shuttle services, catering areas, showcase areas and theme parks, start-up areas, career corners, forums and stages, the press centre, networking zones, evening events.

And nowhere at a trade fair is the communication as poor as on the large surfaces in the entrance halls. Company name, a claim nobody remembers, hall 6, stand C41. These surfaces are expensive and almost every visitor sees them, which makes it remarkable how rarely anything there is addressed to somebody.

People move past quickly. They are on their way, they have seen thirty advertising messages in the last five minutes, and they are looking for orientation. Standing out in that situation takes a visual made for a particular group and a statement that deliberately lets the rest walk on. A large surface becomes valuable the moment it works as a filter.

There is one exception: companies everybody in the hall knows anyway. For them, visitors really are just looking for the location. For everybody else the location is the addition, not the message.

Two further spaces deserve more attention than they get. The talk in the supporting programme is the only place at the fair where somebody listens to you for fifteen or thirty minutes without interruption, and whoever sits there has actively chosen the topic. The way from the stage to the stand is short if it has been prepared: a concrete invitation at the end of the talk, and somebody at the stand who knows people are about to arrive. The showcase area or theme park is the second. The audience there is interested in exactly one topic, and the threshold is lower than at the stand.

Both come with a condition: depending on the fair, the supporting programme is either well curated or a sequence of company presentations. A look at last year's programme answers that question in ten minutes.

At the stand: more than the conversation

On the floor the journey gets concrete. What stands there and why is a question of its own, covered in Touchpoints on the trade fair stand. For the journey, four things matter.

The opener. "Can I help you?" is the question with a rehearsed answer: no thanks, just looking. An opener that works refers to whatever the person is looking at and avoids product jargon. It belongs in the stand briefing, and it gets practised once, because in a crowd nobody remembers it otherwise.

The qualifying question. A polite question, asked early, that establishes whether you and the person in front of you fit each other. Its value is uncomfortably concrete: it ends conversations that will go nowhere before they cost half an hour. At a fair with limited conversation capacity, that is the most valuable question in the whole appearance.

The soft contact points. Now the barista is allowed back in. Coffee, food, a gadget, a prize draw, a place to sit, a charging point: these are effective contact points as long as they have a job. They extend a conversation, they give a visitor a reason to stay, they turn two minutes into twenty. And they work best when they relate to the topic. A prize draw whose question points at the exhibit qualifies people on the side. A prize draw for an iPad also qualifies, in the wrong direction.

The capture. Whatever is not recorded during the conversation no longer exists after four days of a show. How to keep that lean is described in How do you measure impact.

The second break: the journey needs an ending

A journey has a defined beginning. It needs an equally defined ending. In practice it almost never has one. After the last day of the show it fades out, and from then on everybody is on their own.

The contacts move to sales, and from that moment the rest of the customer's path becomes invisible. One project ends here and a different process begins, with different responsibilities, different systems and a different rhythm. The trade fair team rarely finds out what became of the contacts. Sales receives a list that looks like every other list.

What follows is familiar. Part of it gets worked quickly, because the conversations are still fresh. Part of it waits for somebody to come back from holiday. Part of it disappears into the running workload. And three months later the trade fair report contains a contact number that nobody can say anything about.

This is usually also where responsibility ends: marketing's job finishes once the contacts are in the CRM and sales takes over. If sales does nothing with them, marketing cannot rescue that. It can draw the line cleanly, though, and that is more than it sounds: what gets handed over, in what state, by when, to whom?

Three things turn the handover into a conclusion.

One: every conversation gets an outcome at the stand. Four are enough. Appointment agreed. Interested, without a date. Not ready yet. Not relevant. Assigning one takes five seconds during the conversation, and it is the piece of information that turns a conversation into a case.

Two: every outcome comes with a next step, a deadline and a name. Appointment agreed: confirmation on the next working day, prepared by the person who had the conversation. Interested without a date: a call within ten days, using the content from the conversation rather than a standard email. Not ready yet: added to a defined sequence with a review date. Not relevant: the follow-on may deliberately end. That fourth case is what makes the other three possible, because it frees up time.

Three: two figures make the invisible part visible again. The follow-up rate after four weeks and the time to first contact. Both belong to you, both need no additional tool, and both answer the question that otherwise stays open.

Plus one organisational detail with a large effect: the handover needs a format that sales uses anyway. A spreadsheet of trade fair contacts is a foreign body in the sales routine. Contacts sitting as cases in the existing system, with an outcome, a deadline and a name, are not.

One path per target visitor

With that, the core piece can be built. For every prioritised target visitor, one path: how are they reached? What makes them come? Which contact points do they pass at the stand, in what order, with which argument? What outcome does the conversation get? And what follows, when, by whom?

Two rules go with it. Not everybody passes all the contact points, and that is as it should be. And a visitor without prior contact needs a path of their own. They do not know you, they received no invitation, they are suddenly standing there. Without that path, your entire appearance hangs on the invitation list.

The test

At the end everything lies side by side, and now what was only asserted can be checked.

  • Do the arguments match the people who will actually come?
  • Does the stand deliver what the invitation promised?
  • Does every contact point have an addressee and a next step?
  • Does every conversation outcome have a follow-on with a name attached?
  • And the hardest one: does somebody who did not know you before have a path to you?

Wherever it catches, two places are involved. Name both. And then ask the question that saves most of the work: is it meant to be this way? Some contradictions are decisions. An appearance that keeps existing customers close and wins hardly any new ones is fine, as long as somebody wanted it that way.

And finally one sentence that is rarely written down and clarifies a lot: what is this fair not supposed to achieve?

What you can do now

Take your last trade fair and answer two questions. How many different invitation texts went out? And how many of your trade fair contacts had a documented next step four weeks later? Those two answers show you your break points more precisely than any analysis.

If you want to see how solid the decisions before the journey are, the Strategy Test goes through them in a few minutes, no sign-up required. The full method is in the MesseCode Playbook, including the working steps for the journey.

Or you lay out the journey once together with somebody who has watched it break for 25 years. In a strategy call, 30 minutes, no obligation.

A trade fair is not an appointment. It is a path that people walk, and that path starts weeks earlier and ends weeks later.

Your call.

FAQ: visitor journey and contact points

What is a visitor journey at a trade fair?

The path a trade fair visitor takes through the phases before, during and after the show, described through the contact points they meet along the way. The term comes from the customer journey. At a trade fair the journey is worked out for each target visitor separately, because different decision-making positions need different reasons to come.

How do I get the right visitors to my stand?

Through a reason that comes out of what actually happens at the stand, and through channels that match that reason. The hall number is a location. A reason is a demonstration under real conditions, a calculation with the visitor's own numbers, a conversation with somebody they cannot otherwise reach, or a problem named so precisely that they recognise themselves in it.

Where does the visitor journey break in practice?

In two places. At the invitation, where a differentiated approach per decision-making position turns into one text for everyone. And after the show, where the contacts move to sales and the rest of the customer's path becomes invisible.

How many invitation versions do you need?

As many as you have prioritised visitor types, usually three to five. Technically this has not been an effort for years. Where approval gets in the way, two are a sensible compromise: a technical and a commercial version. Existing customers and strangers should be split separately, because one needs an appointment and the other needs a reason.

Which contact points exist before a trade fair?

Sorted into owned, shared and paid: owned channels such as field sales, telephone, newsletter, landing page and LinkedIn, where you can personalise. Shared channels from the organiser and third parties such as the exhibitor directory, innovation database, fair app, matchmaking, ticket codes, press portal, speaking slots and trade media. And paid channels such as advertising and space on the fairground.

How do you reach decision-makers who never come to the show?

Two ways. The person at the stand gets something they can pass on internally, cut to the question their managing director will ask. And the known absentees from the target environment receive a short follow-up report showing what was on display.

Is advertising on the fairground worth it?

Yes, if the space is used as a filter. A visual made for a particular group, with a statement that deliberately lets the rest walk on, works far better there than a company name and a hall number. The exception is companies everybody in the hall knows anyway: for them, visitors really are just looking for the location.

What belongs in the follow-up after a trade fair?

Per conversation outcome a next step, a deadline and a name. Four outcomes are enough: appointment agreed, interested without a date, not ready yet, not relevant. With the fourth the follow-on may deliberately end, and that is exactly what creates the time for the other three. Plus the handover to sales in the format sales already uses.

Sources

  1. fairconcept MesseCode Playbook, visitor journey
  2. Esche/Lockemann, Messen erfolgreich managen, BusinessVillage 2016
  3. AUMA practical guide Erfolgreiche Messebeteiligung (co-author)
  4. Own project experience from positioning and concept projects for exhibitors
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